![]() When this happens, a valid signal will not be received and you will either hear complete silence or the signal may be intermittent. When this voltage is split, no perceived audio signal attenuation occurs and as long as the cables aren’t so long that the voltage shrinks (or capacitance grows) to the point that the ones and zeros cannot be accurately read by the receiving device. The audio is represented with ones and zeros transmitted via a nominal peak to peak voltage. If you need bidirectional signal flow you have to use two cables. There is no two way device communication. Spdif is a one way signal sent from one device to another. but, it’s digital, so, it either fires or it doesn’t is how I’ve always treated digital cablingĪ digital signal like spdif or AES absolutely may be split passively as Matt said previously. I think the OP was hung up on thinking somehow that expensive “high end” spdif cables were inherently better than cheapies. ![]() I hope this helps anyone who might stumble on this post during a search like I did! Thx. I didn't do any other measurements, but can say I know my rig pretty well and would have registered a quality drop. SPDIF cable lenght is 3' between converters and the breakout cable of the Clarity M is about 4'. After splitting the signal, meters still registered at 0VU. I needed to split Coax SPDIF out of my HEDD to another converter and to a Clarity M meter I recently bought.īefore splitting the signal, I ran a 1k tone on my VU meters (set on the analog outs of my monitoring DAC, which takes the SPDIF signal from the HEDD). I bought a gold-plated Monster branded connector from eBay for $6 bucks and it did the trick. There is no signal loss when splitting Coax SPDIF with a 1 in, 2 out connector. Sorry to necromance this thread, but I figured someone might appreciate this info (I found this post while searching for this a couple of weeks ago): If you exceed the length (without using an amplifier), the signal doesn't degrade, but rather simply never reaches its target (whether it be a monitor or USB port). Sort of like how HDMI or USB cables (I think) can only be of a certain length. So basically a digital audio signal is no different than most other digital signals in that, the data integrity is maintained, but the longer the distance of the cable, the greater the likelihood that the digital data will never reach its intended target. Thus a 'loss' in a splitter or long cable is only important if the digital receiver cannot recover the signal (it is just too small).Ī SPDIF signal (I can't remember details) might be 0.5 Volt peak to peak at the TRANSMIT end but the receiver can correctly work with 0.1 Volts peak to peak so can tolerate a significant loss. The level of a SPDIF AES or any other DIGITAL signal stays CONSTANT whatever audio levels might be. plus 3 db) to compensate for the db loss shouldn't be a problem. then it's highly likely that the only degradation to my SPDIF signal will be a drop in gain, correct (rather than a distorted / artifact-filled signal)? Mogami) and a short gold platted splitter: So just to clarify, if I use short 75 ohm SPDIF cables (with the proper shielding / gold tips, ex. Thus for a simple setup with short runs and a splitter you should be fine. Losing 3dB in a 'splitter' is also no big deal as the signal level tolerance is usually around 10dB or more. The biggest 'killer' is usually cable length (capacitance) which can either distort the signal (round off what should be square) or attenuate it.įor short runs almost anything can work reliable. There are many aspects to the distribution of digital signals and the tolerance of various pieces of gear's inputs is usually pretty wide. NelsonI got the cheap monoprice ones for an idea I didn't end up implementing, but I tested and it seemed to split the spdif signal with no issues but given that they are passive (and look pretty cheap), I think I'm asking for trouble going with either one. Note: I initially found the following splitters: So I'm looking for a high-end SPDIF splitter. However, I need to find a way of splitting the Kemper's outgoing SPDIF signal (without introducing latency, artifacts, etc). on the SPDIF signal out of the Kemper, and the following:Īudio Interface -> External SRC clocked to Kemper's clock (96 to 44.1) -> Kemper. Kemper (as master clock) -> SRC of my Audio Interface (44.1 to 96) So I'm thinking of implementing the following: The reason for this is that one of the coaxial signals is going to return to my interface, while the other will be used as a clock sync input for an external SRC converter I plan connect to the Kemper. I'm trying to split the outgoing coaxial signal from a Kemper profiling amp in two.
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FireLight clients have been eagerly awaiting this platform enhancement and we could not be more excited to be able to offer this to our clients.” “With this integration, FireLight pulls in the processing center rules and dynamically manages the replacement workflow, streamlining the replacement process for advisors. ![]() ![]() Because the surrendering carrier defines the acceptance of e-signature on replacement forms, it has been an industry challenge to create a consistent process for advisors,” said Katherine Dease, vice president of FireLight product management, Insurance Technologies. “This integration partnership with Cooperative Technologies provides the industry a revolutionary way of handling replacement processing electronically. When the ceding company requires the forms to be wet signed, an instruction page can be generated to guide the advisor on the workflow to print, have the client wet sign the forms, and upload the wet signed forms as part of the package. The signature requirements for the ceding processing center are incorporated into the signature workflow to dynamically drive the e-signature workflow on the exchange, replacement, and transfer forms. Advisors are able to select the ceding carrier processing center location within FireLight and prefill the ACORD 951 eForm with ceding carrier information. Integration between the Insurance Technologies FireLight and Cooperative Technologies 1035YellowPages solutions provides access to ceding carriers’ detailed replacement contact information and processing requirements by line of business, for thousands of annuity, life, mutual fund, bank, brokerage and pension administrators processing centers. This strategic partnership enables Insurance Technologies FireLight® clients to pull surrendering carrier data into the FireLight e-application platform, automating and simplifying the replacement, exchange, and transfer sales processes for advisors. 25, 2016 - Insurance Technologies, LLC, a provider of sales and regulatory automation solutions for the insurance and financial services industries, announced today the integration partnership with Cooperative Technologies, a premier provider of back-office 1035 exchange solutions. Often, these clothes were made with materials that were rich and heavy.Renaissance & Medieval Clothing for Men and Women The nobility, in particular, wore colorful, puffy renaissance clothing. Renaissance dresses and renaissance gowns tend to highlight the soft, sensual curves of a woman and are designed to make her look almost ethereal.įor men, renaissance costumes are more flowery than their medieval counterparts. Renaissance clothes are fairly similar to medieval costumes. ![]() For example, lacy bodices, tight corsets, and low-cut gowns were all worn throughout the medieval and renaissance periods. However, renaissance costumes and medieval clothing certainly have the potential to be sexy. Usually, when you think of medieval costumes, the word ‘sexy’ doesn’t come to mind. Sleeves became long, hanging and embroidered or fringed. During the period of 1400 – 1500 the women wore long trains to their dresses which were eventually shortened. Hats consisted of a frame of wirework covered over with stuff which was embroidered or trimmed with lace. In the high gothic period, stockings became so long trousers were almost eliminated.ĭuring the period of 1300 – 1400 Women’s coats and surcoats often trailed on the ground. A tunic stayed the same, but hose took the main place and was made prettier with jewels, embroidery, and fur trimming. Some crusaders brought back new materials and different styles. These may include the following types of costumes of women: Princess costumes, Pirates costume, tavern wrench costume, sailor costume, warrior costume, gypsy, Victorian and many others. Medieval ClothingĬertainly, as the time brought more changes, the difference between the attire of the two classes became more prominent and later, was named as ‘wench costume’ for all low-class working women. Cape Robes were also accessories by noble people who could afford it. Hooded capes were worn especially for winter. It was like at shaped tunic with sleeves, loose rectangular cloak, and leggings. Medieval Clothingĭuring the medieval age, people of all ranks mostly the same type of stuff that looked simple and inspired by the costume of Romans. The working class would only wear a shirt. Lower-Class: The lower classmen would wear a shirt and a doublet in public but their clothes are not as decorative as those of the middle class. as they were able to afford, their clothes were tailored to fit. The doublets of middle-class man had embroidery, padding or boning. Their clothes were much fancy than that of lower class people. Middle-Class: They wore doublets with sleeves. To get the wasp-waisted looks, they also wear girdles. Along with material like silk, taffeta, and wool to make clothes, they also wear brooches and feathers. Men usually wear hats when they were indoors. Large ruffs at the neck and wrists are also worn by the men. Puffy pants or breeches accompany the shirt which gets extended up to the knees. The shirts were made up of silk or fine linen and that had embroidery and fancy buttons down in the front. Upper-Class: They usually wore loose fitting shirts that were gathered at the cuff. Men’s Renaissance Costumes In Accordance with Class There was the specificity of the dresses among the people. The peasants used to wear very simple clothes in the medieval ages. There were not crafting works or other designs used in the dresses. The poor class women wore dresses that were made of only a single garment. Lower-Class: The tunics worn by the poor class of the society had basic structure and quality. The material would be of Satin, brocade, and damask fabrics. The dresses of women would have nice trimming and embroidering. Middle-Class: They also wore layers like that of the upper class but not as many layers as them. ![]() The clothing of upper-class women consists of many layers as they could afford it easily They wore ruffs and high collars which conveyed their high status. Upper-class women usually wore bright and richer colors like red and purple as their dyes are very expensive. They usually wore the material that was rare like silk, fur, lace, velvet, and many others. Upper-Class: The materials worn by the upper-class women were luxurious and covered many varieties of color. Men’s Costume Women’s Renaissance Costumes In Accordance with Class Weapons like dagger, knives, and swords are also an addition to the men’s costume. Upper-class man’s costume would add up with jerkin or fitted vest with wings over the shoulder. That is embellished with vest, hat or other accessories. Men usually wore open swashbuckling shirts and breeches or pants. ![]() ![]() Truth be told, I don’t know yet whether or not people who prefer the more deliberate combat in older Final Fantasy games will pick up what XVI is putting down. The "Ring of Timely Assistance" will help out people who have trouble dodging. One of them substantially lengthens the amount of time you have to dodge attacks, while another will automatically bang out sick combos with just one repeated button press. Needless to say, unleashing a massive combo that includes furious claw swipes, flaming bird wings, and a weighty stone fist slam on the ground feels pretty awesome.Īnd for people who aren’t used to this kind of game, there are optional accessories to equip that can make the game easier. Landing big hits feels powerful, and the Eikon moves add visually resplendent animations to the mix. Windows for canceling into and out of attacks are fairly generous, while timing a dodge just right gives you a brief Bayonetta-like moment to counterattack. While the basics of combat are simple enough to grasp for anyone who’s played an action game like Devil May Cry, the precise tuning of FFXVI’s combat is what made it work in the demo I played. You'll spend a lot of time equipping new gear and abilities here. ![]() Clive can equip up to three Eikons at a time, and each Eikon comes with several flashy abilities, two of which Clive can map to face buttons for easy access in fights. These abilities are tied to Eikons, mystical demigods that appear in the story (which I won’t talk about here because the demo didn’t give me much to talk about). He can mash out basic melee combos, dash, jump, and use a seemingly huge variety of magic abilities he’ll unlock throughout the game. The good news is that controlling Clive is a whole lot of fun. You can issue some simple attack and heal commands to Torgal using the PS5’s directional buttons, but Cid and any other party members you meet throughout Clive’s journey will act on their own during fights. Right off the bat, the biggest change from previous Final Fantasy games is that you only directly control Clive. Their objective: Find a prisoner, get to the top of the castle tower, and get the heck out of there alive. The demo started with our protagonist Clive Rosfield, his trusty hound Torgal, and a lightning magic-infused homie named Cidolfus (who goes by Cid because of course he does) hanging out in a castle dungeon. ![]() ![]() I take notes on all of the reading I assign (or consider assigning) in my classes, and I'd kinda love a way to easily make them digital without using a scanner for one page at a time. Heck-I could even affix it to a bill BOM from a shipment. The advantage of this approach is I could use it in my Webbie, my Arc/Circa notebook, or a Post-It. If all the players can't agree on something, then there is a business opportunity: some clever company creates an app like this, and sells either stickers or a rubber stamp (or both) that I can use on any paper. An e-mail icon could be printed on any sheet of paper, and all apps would know what it means. In my fantasy, there would be a common set of symbols that any app of this genre ("take a picture of your note, and things happen") and any manufacturer would use. It seems like there is an opportunity to standardize. However, it all seems rather proprietary: I need the Evernote app for my Moleskiene notebook, the WhiteLines one for this, etc. On one hand, I'm digging the notion of creating this bridge between atoms and bits. ![]() I will run this by the person I spoke to at Whitelines. I thought the ruling type might have something to do with it, but one lined, one squared and both are behaving the same. However, both of us have now had positive experiences. The company has decent environmental practices though so I still like to support them. Perhaps the QC or paper quality is just not consistent. I have found varying opinions on the paper. Thank you! It is a pretty cool notebook, isn't it? I would love if they made a huge version. My grid notebook was fine, but didn't perform nearly as well as the lined stitch-bound notebook I have too. Commenters seemed pretty adamant about the paper not performing well with fountain pens, but I respectfully disagree and your review proves that they play nice. Also, going by the feedback on my site, I wonder if they changed the paper at some point. Great review! I wish mine had cool features. I was not compensated monetarily for this review! All opinions here are 100% wholeheartedly my own, I swear. Whitelines provided these Whitelines Link notebooks to me free of charge for the purposes of this review. Especially for those of us who love our gadgets, and our pens as well.Ī4 notebooks are also available with 80 sheets, should you prefer larger pages. What a relief! They're affordable, creative, and useful. I LOVE that they're fountain pen friendly. These nifty notebooks perfectly that care of that need. I often have taken notes on various pieces of paper or in a notebook and then needed a digital copy of it, so I've taken a picture of it (a terrible picture, mind you) and have sent it to the necessary people. Mine crashed several times while I was trying to capture images of the pages I wrote on for this review. That's not the notebook itself, but it certainly affects the useability of the entire function of the notebook. Just like all other Whitelines, when you copy, scan, or fax, the white lines disappear.The app itself has mixed reviews but I'm not here to review the app. The Whitelines app is only available for iOS on iTunes. |
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